![]() |
| Steve Biko |
![]() |
| Image: In his coffin |
I think the central theme
about black society is that it has got elements of a defeated society, people
often look like they have given up the struggle. Like the man who was telling
me that he now lives to work, he has given himself to the idea. Now this sense
of defeat is basically what we are fighting against; people must not give in to
the hardship of life, people must develop a hope, people must develop form of
security to be together to look at their problems, and people must in this way
build up their humanity. This is the point about conscientisation and Black
Conciousness.
-from Steve Biko’s defence testimony to an apartheid court, published in I
Write What I Like
Steve Biko was a anti-apartheid activist
and student leader who was murdered while in the custody of the South African
police on 12th September 1977. Biko was from a generation of South Africans
inspired by the Black Power movement in the United States. The generation of
the Soweto uprisings, a generation that grew up and came to political maturity
at a time when all the erstwhile leaders of the South African freedom struggle
were in jail in Robben Island or in exile.
Biko - “No 46”- was the 46th
anti-apartheid activist to die in police custody. In February 1999, South
Africa’s Truth and Reconciliation Commission refused amnesty to the police
officials involved in Biko’s murder. This was a somewhat unusual move on the
Commission’s part which had made clear its preference for amnesty as a
precondition for reconciliation. For the “reconciled” South Africa then, his
killing has come to be seen as more than a political murder - an act of cruelty
in excess of politics.
![]() |
| Image: It Left Him Cold - The Death of Steve Biko (1990) by Sam Nhlengetha |
Sam Nhlengetha
uses actual photographs of Biko’s corpse to recreate the abjection and the
losses of the apartheid era to disquieting effect. The name of his artwork
refers to the the then South African Minister of Police’s remarks on Biko’s
death: “I am not glad and I am not sorry about Mr. Biko. It leaves me cold
(Afrikaans: Dit laat my koud). I can say nothing to you… Any person who dies… I
shall also be sorry if I die.” (Why does this remind me of puppies and
motorcars?)
Biko remains a
resonant figure in South Afircan popular culture - in tshirts, music, graffiti
- perhaps even more so today than ever before. Outside of South Africa, his
influence is more fragmented. A few statements/quotable
quotes by Biko have come to metonymically stand in for the entire Black
Consciousness movement. Such as this
one:
At
the heart of this kind of thinking is the realization by blacks that most
potent weapon in the hand of the oppressor in the mind of the oppressed.
Today, it requires
conscious effort on our parts to see Steve Biko as a specifically third world
figure. Biko and his comrades saw their struggle as part of a long war with the
so-called first and second worlds. The figures who influenced Biko’s movement
(all of them male) were a mix of third world leaders and American activists -
Kenneth Kuanda, Sekou Toure, Frantz Fanon, Aime Cesaire, Stokey Carmichel,
James Cone etc.
Biko and his
comrades were also highly affected by Paulo Friere’s work on education, and
this made them make heavy emotional investments in ideas of “listening to the
people”, even though as community organizers, they may have tended to slip up
on this count as they grew more confident of their popularity. They saw alienation
and self hatred in black society to be the result of living conditions,
insecurity of life and livelihood, an education that crippled selfhood,
poverty, and above all, the cultural domination of white values. Cockyness and
“manliness” were to be their main weapons in a society where they were living
as “perpetual under-16s”. They saw the police as "the vanguard of white society", and they were desperate to themselves be the vanguard of black society.
Those opposed to
South Africa’s current economic policies are fond of quoting from Biko in order
to argue that what South Africa has today is a “false” integration:
...And this is one country where it would be
possible to create a capitalist black society. If whites were intelligent. If
the Nationalists were intelligent. And that capitalist black society, black
middle-class, would be very effective at an important stage. Primarily because
a hell of a lot of blacks here have got a bit of education—I’m talking
comparatively speaking—to the so-called rest of Africa, and a hell of a lot
them could compete favorably with whites in the fields of industry, commerce,
and professions. And South Africa could succeed to put across to the world a
pretty convincing, integrated picture, with still 70 percent of the population
being underdogs.
-Steve Biko, in an interview with a foreign journalist
But Biko’s political or economic thoughts were largely derivative and not very original. His heroism,such as it was, is tied up with his times and with his life. Nowhere can we see
this better than in the records of his trial by a South African court (prior to
his murder). The judge crudely attempts to establish the “whiteness” of
democracy (remember this is 1970). The court blanks out testimonies in “bantu
languages”. Against these dehumanising systems, Biko is an inspiring, defiant
figure: “Not only have they kicked the
black but they have also told him how to react to the kick”.
The anniversary of
his murder is a good day to remeber all those who have refused to react to
kicks the way they were supposed to!
![]() |
| Image: The famous photograph of Hector Pieterson's body being carried by his sister and friend after the brutal police repression of the Soweto protestors |
Edit: On reading again, this is much more of an endorsement of vanguardist politics than I meant it to be. Such is life. Jai Hind...
Vikrant is a second year student of the MA in Development Studies programme at TISS, Mumbai.




http://www.google.com/culturalinstitute/exhibit/steve-biko-the-black-consciousness-movement/AQp2i2l5?hl=en
ReplyDeletecheck out two more biko exibits @ google cultural institute